On October 26 at the British Academy, the Playing the Archive team held its first interim conference, with a number of members of the Advisory Board in attendance.
After an introductory presentation by Andrew Burn, who talked about the project’s emerging themes of memory, nostalgia, continuity and change, and the structures of time and space, Julia Bishop and Cath Bannister offered an introduction to Iona and Peter Opie’s historical archive. Their presentation focused in particular on the Opies’ surveys as a means of better understanding their research methods. Afterwards, Cath and Alison Somerset-Ward offered an inventive account of the archive as an interactive ‘box of delights’, whose many-faceted exploration of the archive fascinated our attendees. Steve Roud then rounded off the morning session with a discussion of the challenges of creating a classification scheme for the Opie archive.
In the afternoon Jackie Marsh looked at the palimpsests of play across two projects conducted at a nine-year interval, drawing on social anthropology and new materialism to illustrate the mutually reinforcing relationship between children and their playground environments. This was followed by a fascinating presentation by John Potter and Kate Cowan, who looked at how children remediate popular culture (in particular YouTube), and how the use of GoPro cameras, 360 degree video and iPads offer a variety of perspectives for researchers of children’s play. John introduced us to the ways that the VAR technology showcased during the 2018 World Cup has made its way into playground games of football, and how ‘Neymar’ has now become a synonym for unconvincing play acting.
The team from CASA, Duncan Hay, Valerio Signorelli and Andy Hudson-Smith then presented their experiments in re-purposing old or obsolete technology as a means of engaging the public with the Opies’ work, and asked how these evocative, sensorially-rich technologies might constitute an ‘interface’ to memory. Finally, Helen Woolley drew on the Opies’ The Lore and Language of Schoolchildren (1959) to look at the calendar of play, and the distinct temporalities of time (daily, weekly, seasonal) that they revealed. In a tasty conclusion to the event, she offered the attendees a home-baked ‘soul cake’, a small cake made to remember the dead on All Hallows’ Eve, All Saints’ Day and All Souls’ Day. It provided a tasty conclusion to a wonderful day of discussion. Thank you to the Advisory Board for all their useful and far-reaching comments!
Mathias Poulsen, an advisory board member, has written a blog post with his comments, which you can read here.